Showing posts with label China Film Group Corporation. Show all posts
Showing posts with label China Film Group Corporation. Show all posts

Saturday, June 12, 2010

A Different China in "The Karate Kid"

The Chinese version of the poster. The title is "Kung Fu Dream." It says on the poster: Kungfu kid, dreams come true in China.

China is no longer the far away, exotic and ancient land, but a modern, familiar place. This is the kind of image “The Karate Kid” presents about China. 

The two-hour-long movie, which opened in the US yesterday, is a remake of a popular 1984 movie of the same title. The year is 2009, and twelve-year-old Dre Parker (Jaden Smith) moves to Beijing with his mom, only to find himself bullied by a group of kung fu-practicing Chinese boys. With help from Mr. Han (Jackie Chan), a kung fu expert disguised as maintenance guy, Dre finally defends himself and wins respect. 

Intentionally or unintentionally, the movie shows a China that is quite different from previous Hollywood productions with a Chinese setting. 

First off, China is not a country where “everything is old.” While looking at a tour book about China on the flight from Detroit to Beijing, Dre tells his mom: “Look, everything in China is old.” 

Arriving in Beijing, on the way from the airport to their apartment, Dre and his mother see the postmodern CCTV tower, the National Stadium (Bird’s Nest) and the car packed streets. “Well, I guess nothing in China is old, huh,” says Dre’s mother. 

Dre is soon to discover that Beijing is, after all, not so foreign. Switching on TV, the first show he sees is “Sponge Bob,” an American cartoon program, although translated into Chinese. 

He plays basketball with Chinese kids in a park, same game as he played in the US. He meets another American boy who lives in the same apartment building. Not to mention that he attends a school that enrolls quite some western teenagers, and everybody eats lunch very much the same way as in American schools, except for the use of chopsticks. 

American music is also not so hard to find in Beijing. Going into a game room, Dre and his Chinese girl friend both show off some American dance on a dancing machine that not only plays American music, but also speaks English. 

Another image about China featured in this movie, but rarely in other Hollywood productions so far, is that of rich people in today’s Beijing, which is new to Chinese society itself. 

The Chinese girl, whom Dre is trying to get close to and consequently bullied for, is from an upper-middle class family in Beijing. Her parents dress nicely, drive a nice car, and live in a fancy court-yard residence with stone lions standing at the gate. They also can afford to hire a western musician to teach their daughter to play violin! 

In reality, this kind of people might not be everywhere in China, but does exist. As a matter of fact, the father character might well resemble one of the creators of this movie, Mr. Han Sanping, president of China Film Group Corporation, the state-owned powerhouse of China’s movie industry. Han Sanping himself is likely the most powerful movie maker in China, having produced international blockbusters such as “Red Cliff” and “Kung Fu Hustle.” People like him, who head profitable state-owned enterprises, have become the most affluent in today’s China.

Still, a movie like this cannot totally leave out China’s rich history and culture. Thus the scenes of the Forbidden City, the Taoist temple in Wudang Mountain, and of course, the Great Wall. Comparing to the scenes of car-packed streets, junk-stuffed narrow alleys, i.e. the messy and hectic inner city, which are fairly truthful portrait of life in Beijing, those from the famous sites seem to demonstrate that China still has some beautiful places. 

A co-production between China Film Group Corporation and Columbia Pictures and set to be released in China on June 22, this movie also intends to make both American and Chinese audience feel good at the end. 

American audience is happy when Dre finally beats up the aggressive Chinese kids, while Chinese audience will be satisfied by the success of Mr. Han, who is arguably the biggest winner. Besides turning Dre into a brilliant kung fu kid, Mr. Han also wins over those aggressive Chinese kids, who decide to turn to him as the true kung fu master. 

For Mr. Han (Sanping), mission accomplished.


More about The Karate Kid (2010)
http://www.imdb.com/title/tt1155076/

Monday, August 31, 2009

Big Production Celebratory Film Shunned by Netizens




Movie-star packed production






Despite the incredible star power of the soon-to-be-released movie, "The Founding of a Republic"—the main celebratory film for the 60th anniversary of the People’s Republic, Chinese netizens only sniff at it by announcing “absolutely not going to watch it.”

A recent post on Tianya BBS lists three reasons of not to watch this huge production: no money, no time, no need. This netizen, self-named “I am No. What,” claims that he would rather donate the money to help poor kids than buy the ticket for the movie. Jet Li might have been his idol, he writes, but in this movie Mr. Li is only a decoration. With so many—nearly 100—renowned movie stars, from the mainland, Hong Kong and Taiwan, all packed in one movie, all the audience could do while watching it is counting the stars, the post states.

This movie, due on Sept. 17, is yet another astonishing production of China Film Group Corporation and its Chairman, Mr. Han Sanping, the company and man behind last year’s blockbuster, "Red Cliff", directed by John Woo. Set at the end of the civil war between the Chinese Communist Party and the Kuomintang in the 1940s, the movie depicts the historical development of China’s political consultative system, in which the communist party governs in “collaboration” with social groups other than those deemed as the proletariat in the Chinese society.

The post of “I am No. What” has attracted over 100 responses, mostly in favor of its motion. Netizens also point out that several big stars featured in this movie, such as Jet Li and Jacky Chan, have renounced their Chinese citizenship and become citizens of other countries. Letting them play a role in a movie about the founding of the People’s Republic is like “slapping on one’s own face,” one comment reads.

For decades, showing celebratory films during the Oct. 1 National Day holiday has become a political, as well as cultural ritual in China. These movies tend to have relatively big budget, comparing with average Chinese production. "The Founding of a Republic" is of no exception, only with even eye-popping collection of big-name movie stars, which could well set the record of Chinese film. It is an indication that the party intends to make some strong public impressions upon the 60th anniversary of its ruling.
Tianya BBS posts
"The Founding of a Republic" Official Website

Saturday, December 15, 2007

The Warlords Sparks Political Criticism

Hong Kong director Peter Ho-Sun Chan’s newly released movie, The Warlords, has generated not only tens of millions of yuan in box office revenue since its opening on Wednesday, but also comments from Chinese netizens regarding its political indications.

The movie, set in the Taiping Rebellion in the late Qing Dynasty, featured the love-hate story among three men: General Pang (Jet Li) and his two sworn-blood bandit brothers, Zhao (Andy Lau) and Jiang (Takeshi Kaneshiro). Pang persuaded Zhao and Jiang, who themselves were initially rebelling peasants, to fight the Taiping Rebellion for the Qing court. In the end, Pang, in his pursuit of legitimate power, betrayed Zhao and Jiang, murdered Zhao and was later assassinated by Jiang upon becoming a powerful governor of the Qing regime.

Some of the online comments may be reflections of real anger, suggesting that the movie’s somewhat positive portrayal of anti-Taiping Rebellion militants is offensive to some Chinese viewers, who have been used to the idea that the Taiping movement is a revolution against the corrupt Qing regime. Other comments, however, may simply try to reveal what they see as the political indication of the movie by pretending to criticize it, to avoid online censorship.

A post titled “11 College Students Appeal: Cracking Down on the Counter-revolutionary Art of The Warlords” has been circulating on the Internet in the past couple of days, accusing the movie of defiling revolutionary peasants by portraying them as helping the corrupt Qing Dynasty to suppress the Taiping Rebellion. The authors called for young students to wake up and resist the influence of such “counter-revolutionary and consumerism culture.”

Pretending to write a public letter to the Chinese government and calling themselves “a group of patriotic, progressive, reasonable and kindhearted college students,” the authors signed their names on the Internet, although it’s not hard to tell that the names, containing words like “wen ge” (cultural revolution), “hong xin” (red heart), and “wei dang” (protect the party), are fake and somehow satirical.

It is not entirely clear why these people, who apparently also assailed Ang Lee’s Lust, Caution in a similar manner, posted such a comment, but they are not alone. Several other netizens, some of whom have watched the movie, also posted similar comments at different times on different online forums.

A “Menglong Professor” wrote on Tianya public forum that a slogan highlighted in the movie, “rob food, rob money and rob women,” was telling people to rob whatever they did not have, which implied the Communist revolution. In the movie, Zhao and Jiang were betrayed by General Pang, which, according to Menglong Professor, meant that once the revolution was successful, one had to be careful because your comrades and leaders may attack you from behind. “Isn’t this attacking our great Party and people’s army by insinuation?” Menglong Professor asked.

Another commentator, named “Obligation of Life,” listed six “counter-revolutionary” points of The Warlords, including being against the Taiping Rebellion and promoting slogans like “rob food, rob money, rob women” and “he who wants to be a bandit should try to be the biggest bandit,” which would “severely undermine the rejuvenation of the Chinese civilization and impede the establishment of a harmonious society in current China.”

One netizen said he was angry at the movie because it “all but sang the praise of three Qing lackeys who murdered Taiping soldiers” and “The Taiping Rebellion was a great peasant uprising movement.”

Most viewers seemed to like this movie and some of them called those political comments nonsense, because after all, it was only a movie that aimed to entertain.


This article is originally published on China Digital Times


Online comments:
http://cache.tianya.cn/publicforum/content/free/1/1072538.shtml
http://cache.tianya.cn/publicforum/content/free/1/1072926.shtml
http://www.neocha.com/sankin77/blog%2110412.html
http://shequ.cixi.cn/dispbbs.asp?boardid=212&replyid=749411&id=469896&skin=0&page=1&star=1
http://comment4.news.sina.com.cn/comment/skin/default.html?channel=yl&newsid=28-3-1355796&style=1&nice=0&rid=0&page=0&face=&hot=yl_default

The Warlords websitehttp://www.warlordsthemovie.com/en/index.htm

News about The Warlordshttp://www.chinanews.com.cn/yl/dyzx/news/2007/12-14/1105402.shtml